In 1936, three years out of high school and working from her home darkroom on Prospect Avenue in Princeton, Elizabeth Menzies (1915-2003) sold her first cover photograph to the Princeton Alumni Weekly (PAW). That photo and many others went uncredited. The back sides of the prints document an evolution from the lightly penciled “Menzies” to a polite “Credit Line Appreciated” to her rubber stamp insisting “Credit Line, Please.”
A new exhibition of Menzies’ work, Credit Line, Please: Photographs by Elizabeth Menzies, is now open. Curated by Phoebe Nobles (Processing Archivist), Emma Paradies (Library Collections Specialist IV), and Rosalba Varallo Recchia (Library Collections Specialist VI) of Princeton University Library, the exhibition features dozens of photographs from the University Archives collections at Seeley G. Mudd Manuscript Library, in particular the Princeton Alumni Weekly Photograph Collection and the Historical Photograph Collections.
Menzies was both an insider and outsider. While excluded from the education she documented, she enjoyed privileged access to campus through her father Alan Menzies, a chemistry professor, and her job at Princeton’s Index of Medieval Art. Her camera was her ticket to lecture halls where, in the words of one PAW editor, undergraduates “endured Betty Menzies’ tennis shoes silently padding through the back rows.”
